#ГОД (YEAR) is interpreting the calendar and life cycle of Slavic people. Mixing the natural and technological, history and today’s context, where the voice is the main driving force. That is why Jekka’s new releases are filled with rich vocals and cold industrial and synthetic sounds. The #ГОД project is an evolution of understanding folk, it is a search for one's inner voice through ancient rituals and the cultural and acoustic code of folklore. #ГОД is divided into 4 EPs each of which unravels a significant period in the calendar and life cycle.
ROZHDENIE - embodies the transition from 'that' world into 'this' world, it is a ritual of a new person coming into the world of the living and also symbolises the awakening of nature, the beginning of a new cycle
The young women set out to call upon the Spring. Across the icy mirror of the water wide they went. For three days and three nights they walked with songs and merriment. The ice thundered, the reddish sun moved from shore to shore and out of the woods, across the field.
The cold water shuddered and rumbled as the winter storm turned into a bird's song. The young women called upon the Spring singing, their spellbinding voices bringing blissful life across the frozen water, warm air into the waking forest.
The young women stepped out from the river with the water high. A giant sun above, gleaming. The forest swaying as if woken from a dream, enchanted.
The young women stepped into the forest. And saw a tree. A child slept wrapped in its broad roots.
The young women were singing a lullaby.
YUNOST - is the second instalment of #ГОД and conveys initiation rituals, circle dances as a reflection of nature and the role of participants in the ritual. YUNOST is the border between Spring and Summer, it is a rave of nature, inner and outer transformation.
SVADBA is the third instalment of the #ГОД project and expresses the inner transformation of a person, his or her communication with the outside world. The opposition of mine/foreign arises, the life space around the person becomes narrow, he or she becomes wordless and other participants of the ritual speak on his/her behalf. This is a process of loss and gain through different ritual symbols and objects
The girls were weaving,
To cover the tree with the quilt
So the blackbirds
Wouldn’t rest on it
So the stars wouldn’t fall
And get tangled in the branches
The girls were weaving
Covering the river
Covering the field
So the cold winds
Wouldn’t mix the water and the bread
The young men are coming
Coming for the girls
Not seeing the quilt
Falling under the ice
The girls wept
Day and night they lamented
Of the young men
The girls were weaving
Covering themselves with the quilt
And found themselves
On the other side of the river
They saw a reflection of the tree
The young men under it
Sleeping and waiting
The girls started weaving
Crowns from leaves.
Singing and breaking the branches:
“One hand waking, the other covering
One hand leading, the other braiding”
As the girls were singing, the underwater winds were rising
The river was changing
The tree shook and up it went
The quilt into strings
Into rods it turned
They put on the crowns
And their braids fell
The young men slept and slept and suddenly awoke
“Down the aisle I go, to wake you
To share the house and table”
The earth shook and shivered
With all its might the tree
Rose up into the sky
An island just beneath with grass so green and flowers so bright
Rendered the ceremony.
The storm died.
And plants spread all over from the wondrous island
The girls were weaving the quilt
The young men singing to the girls.
The end of life is the beginning of a transition to the status of an ancestor, the opposition of ‘that’ world and ‘this’world, when the soul separates from its former place and inhabits into an invisible otherworldly dimension. Lamentations is the main tool of communication with the world of the dead. Nature falls asleep in winter and yule begins - a time of temporary chaos, statelessness, necessary for renewing the world and transforming the old into the new.